E. Patrick Johnson
Chair of the Department of African American Studies; Carlos Montezuma Professor of African American Studies and Performance Studies
MA, University of North Carolina-Chapel Hill
BA, University of North Carolina-Chapel Hill
- Crowe Hall Room 5-101, 1860 Campus Drive Evanston, IL 60208
Black Gender and Sexuality Studies
E. Patrick Johnson has published widely in the areas of race, class, gender, sexuality, and performance. He is the founder and director of the Black Arts Initiative at Northwestern. He is also a Project& artist, a nonprofit arts organization engaged in art for social change and impact. Johnson is a prolific performer and scholar, and an inspiring teacher, whose research and artistry has greatly impacted African American studies, performance studies, and sexuality studies.
He is the author of two award-winning books, Appropriating Blackness: Performance and the Politics of Authenticity, and Sweet Tea: Black Gay Men of the South—An Oral History. He is the editor of Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (Michigan UP, 2013) and co-editor (with Mae G. Henderson) of Black Queer Studies—A Critical Anthology and (with Ramon Rivera-Servera) of solo/black/woman: scripts, interviews, and essays and Blacktino Queer Performance (Duke UP, forthcoming). He is currently at work on the companion text to Sweet Tea, entitled, Honeypot: Southern Black Women Who Love Women and an edited collection of new writings in black queer studies tentatively titled, No Tea, No Shade: New Writings in Black Queer Studies.
334 Black Gender and Masculinity
380 African American Folklore
402 Theorizing Black Gender and Sexuality
PhD Speech Communication, Louisiana State University
MA Speech Communication, University of North Carolina-Chapel Hill
BA Speech Communication, University of North Carolina-Chapel Hill
Recent Awards and Honors:
Oscar Brockett Outstanding Teacher of Theatre in Higher Education 2015
Rene Castillo Otto Award for Political Theater 2014
Black Theatre Alliance Award for Best Solo Performance--2010
Leslie Irene Coger Award for Outstanding Contributions to Performance--2010
Randy Majors Memorial Award for Outstanding Contributions to LGBT Scholarship in Communication--2010
Inducted into the Chicago LGBT Hall of Fame—2010
“Baldwin’s Theater.” Cambridge Companion to James Baldwin. Ed. Michelle Elam. Cambridge: Cambridge University Press, 2015. 85 – 99.
“Southern (Dis)Comfort: Homosexuality in the Black South.” Creating and Consuming the U.S. South. Eds. William A. Fink, David Brown, Brian Ward, and Martyn Bone. University Press of Florida, 2015. 97 – 116.
Johnson, E. Patrick and Ramon Rivera-Servera- co-editors (2014), solo/black/woman: scripts, essays, and interviews. Northwestern University Press.
“To Be Young, Gifted, and Queer: Race and Sex in the New Black Studies.” The Black Scholar 44.2 (Summer 2014): 50 – 58.
Johnson, E. Patrick, editor (2013, Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood. University of Michigan Press.
Johnson, E. Patrick (2008). Sweet Tea: Black Gay Men of the South--An Oral History. University of North Carolina Press.
Johnson, E. Patrick and Mae Henderson, co-editors (2005). Black Queer Studies: A Critical Anthology. Duke University Press.
Johnson, E. Patrick (October, 2003). Appropriating Blackness: Performance and the Politics of Authenticity. Duke University Press.